I had never thought about a scenic-painter's work, but the more I learned about it, the more it fit me. A scenic-painter needs to be creative, but always follows rules: being able to express myself without fearing the complete freedom of a blank page is an ideal combination. The infinite possibilities of the work, and the insurance to do something different every day also played an important role in my choice. 

 

When the Ecole Française du Décor Peint in Le Mans, France, offered me a spot, I worked hard and constantly challenged myself, organising extra work nights with my classmates and practicing my eye whenever it was possible, even during a simple walk around town. I developed an obsession with XVIIIth century wallpapers, especially chinoiseries.

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I graduated as a painter-decorator in June 2016, moved in London in September 2017, and since then have been working on various scenic-painting projects, such as the partially animated movie 'Escape from Biafra' or a dolls house restoration. 

 

In recent years, I started exploring different ways of painting and created an illustrated alphabet for children. Intrigued by botanical illustrations, I developed a botanical collection and enrolled in Kew Garden's Botanical Watercolour Workshop in September 2024. I am also practicing on larger surfaces as much as possible, painting my own murals whenever I have a chance. I would love to have my own chinoiserie line of hand-painted wallpapers one day.